The piece itself is supposed to be concentrated on the candle, its getting small, the flame is dulling, like time is running out. The heavy ink background is the darkness, and the fear, how it consumes you completely and quickly, filling the page. The faces in the background are supposed to bring in the fear of the unknown that lies beneath the dark and it also gives it a little more depth. The darkness of the whole piece and the fact that nothing is very bright is supposed to be the fear factor of it besides what the actual piece represents itself.
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| reference |
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| finished piece |
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| background close up |
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| candle close up |
My second piece is iatrophobia. It is the fear the fear of doctors. I like this one a lot because it took a long time and there are a lot more details in it than there usually are in my pieces. I went at it in a much different way than I usually do, where I did piece by piece and brought them together rather than planing it all out and then finishing it all as a whole without focusing on one individual think. I think it turned out much better that way. But all the random little details might not always pull it together but give you something new to look at each time you scan the page.
The piece itself is generally concentrated on the skull on top of the book. Mostly because it is in the middle. The real tie in is all the little things around the desk, like the jars of the things and the needle, the ink and candle and little notepad. The name plate is probably the only thing that makes it very "doctors office-y" besides the needle and scalpel. But its supposed to be an older kind of creepy feel rather than a newer one. The darkness of it makes it look better and keeps it consistent with the darkness of the previous one just in a different and lighter tone of darkness. The over all creepy fear feel is present in both.
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| finished piece |
My third piece is coulrophobia. It is the fear of clowns. This is probably my favourite piece, I love the way it ended up turning out and I like that is doesn't look as flat as it did before. when i started adding color I couldn't find the right balance or the right colours to make the shading help it be more 3d and not flat. It took me a long time which most of it was spent sketching it and then also a lot coloring it. The lines and wrinkles turned out a little different than expected, but it does look better than I was hoping. I couldn't figure out what exactly I was doing with this piece and it originally wasn't even a portrait but changing I realize I made the right choice to switch, the other piece was way too happy and not as dark. I couldn't make the happy a creepy happy like I envisioned and once i saw it wasn't working out I abandoned it to start this.
The piece it definitely concentrated on the clown since it is so bright and the background is dark. The background was brought in from the first piece but a little more splotchy than solid to make it more like darkness instead of just black. The clown itself was supposed to be scary on its own as a regular clown, but making it look terrifying did it much better justice. I like the colours because they all complement one another. The bottom colour of the drips was supposed to represent the color draining from him, the colour of happiness, the lost background, the sweatiness of being a clown, all of it is represent in those drips though thats not how it shows. I think the fear really shows by not only being something that people are commonly uneasy with, as these all are supposed to be, but because of the darkness factor and how it feels like its coming right out of it at you, and the general details and draw ins of the whole piece.
My fourth piece is Phronemophobia. It is the fear of thinking, or the fear of one's own thoughts. I like this one because the little guy stands out a lot because he's brighter than everything else but the colours are still dull. It didn't take too long to complete, and it looks very messy to me and I kind of wish it didn't look so messy, but I think the messiness of the walls and floor give it the feel that i wanted it to have. I think that I could have added more details or something else because the piece feels kind of plain even though it also looks like there is a lot going on. All the writing gives it a sense of movement because there are words all across the page, and at first you notice the big bold black ones and then you see the red ones and how some of the black words morph the red ones. The only thing I really wish I would have changed about this piece is the writing on the floor, it should definitely be facing him and not me. And the darkening of the wall should have been dark all around him and giving him more of a spotlight, so it's more like the focus is all on him. I like that I made the person coming out of his ear and going right to the other to show that its everything he's saying it to himself, but also it looks like the shadowy figure is trying to whisper it so it's like everything is a secret but none of it is.
I think it ties into the darkness of all of my pieces even though this piece isn't necessarily dark in color or light but more of in meaning. All of my concentrations are about fears, so they all tie together, like clowns and darkness go together because they are more childhood fears, and doctors and thinking are more adult, or at leat more mature, sort of fears. I want to continue on this concentration and do more pieces over the break, because I really do enjoy it and I find it interesting and something I like to portray.
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| drafting and starting |
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| finished |
My fourth piece is Phronemophobia. It is the fear of thinking, or the fear of one's own thoughts. I like this one because the little guy stands out a lot because he's brighter than everything else but the colours are still dull. It didn't take too long to complete, and it looks very messy to me and I kind of wish it didn't look so messy, but I think the messiness of the walls and floor give it the feel that i wanted it to have. I think that I could have added more details or something else because the piece feels kind of plain even though it also looks like there is a lot going on. All the writing gives it a sense of movement because there are words all across the page, and at first you notice the big bold black ones and then you see the red ones and how some of the black words morph the red ones. The only thing I really wish I would have changed about this piece is the writing on the floor, it should definitely be facing him and not me. And the darkening of the wall should have been dark all around him and giving him more of a spotlight, so it's more like the focus is all on him. I like that I made the person coming out of his ear and going right to the other to show that its everything he's saying it to himself, but also it looks like the shadowy figure is trying to whisper it so it's like everything is a secret but none of it is.
I think it ties into the darkness of all of my pieces even though this piece isn't necessarily dark in color or light but more of in meaning. All of my concentrations are about fears, so they all tie together, like clowns and darkness go together because they are more childhood fears, and doctors and thinking are more adult, or at leat more mature, sort of fears. I want to continue on this concentration and do more pieces over the break, because I really do enjoy it and I find it interesting and something I like to portray.






